PNSC - October 2002 Workshop outline
Compiled by: Irene D'Aloisio
Revised:
August 03, 2005
Workshop framework – discuss the cost/benefit of entry
level versus advanced systems for each process step
- Raster image
- Photo – photo/image quality
required for fine line work
- “Found” art – ownership/copyright
considerations – Dover releases
- Poser – bald naked ladies – image
layering
- Raster Clip Art versus
Vector Clip Art versus scanning
- Vector conversion and design
- PhotoShop cleanup versus Streamline
versus hand drawing
- Illustrator import/placement;
embedding versus linking
- Using Illustrator and Photoshop
simultaneously
- Illustrator tools, tips and methods
- Design consideration; blasting
experience should drive design!!
- Printing/printer/film – cheap and
best film for Laser: Inkjet films
- Inkjet versus
Laser printers versus commercial film positives
- Printer selection considerations
for fine lines
- Exposure
- Resist selection considerations
- Exposure considerations/ unintended
cross linking – vacuum frame
- Washout – times, considerations with
self adhesive resist, nozzles
- Mounting/handling self adhesive
photoresist – tips and problems
- Blasting – nozzle selection, gun
types, blasting techniques, lighting, visibility, ergonomics of blasting
station, collecting abrasive, dust control
- Debunking myths – overachieving the
manufacturer’s expectations
- Line resolution – why would you
ever need 0.002 inch lines?
- Carving depth
- Blasting distance and angle
- Advanced carving techniques/saving
your butt
- Pickard liquid resist – adding
texture to carvings
- Contour carving in very small areas
- Remasking with silly putty
- Second resist – uses and methods
- Diamond burr engraving/smoothing
transitions
- Glue chipping - Kathryn
- Adding color to glass art (we’re
just moving into this area)
- Airbrushing automotive style
paints
- Pebeo type paints
- Glass enamels
- Carving fused glass
- Display - Edge lit bases – selection,
considerations, design, odd shapes
- Photography
- Photographing with edge lit
bases/glass art in general
- General instructions with spotmeter
– “seeing” lighting levels
- Dealing with reflections; building
a lighting stand
- Digital camera settings – JPEG
versus TIFF versus RAW
- Digital camera selection criteria
(somewhat off-topic)
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